Skip to main content

THE SOUND OF WHAT WAS LEFT

Marilyn wasn’t her real name. 


It was the name she used. The one people remembered. Like her idol, Marilyn Monroe, she understood that names mattered.

People remembered her.

Not for what she had once hoped to become, but for what she had become instead. She was known to the police. To psychiatrists. To probation officers, pimps, and pushers. She moved through the system the way some people moved through neighborhoods - familiar, practiced, expected.

By the time she arrived, her reputation had already gotten there first.

---

The night manager read her file before ever meeting her.

It was thick in all the wrong ways - incident reports, evaluations, arrests. Schizophrenia was stamped across the top, the diagnosis of convenience. But the details underneath told a different story. Long-term drug abuse. Manipulation. Violence when necessary. Charm when useful.

Nothing suggested confusion.

Everything suggested control.

There were rarely empty beds. When one opened, it filled quickly - usually with someone no one else wanted to deal with anymore. Marilyn was one of those.

---

She arrived clean, fed, and composed. County lock-up had seen to that.

Her hair was a dull brown threaded with gray. Her clothes were plain but neat. She looked like someone who could pass, if you didn’t look too closely.

The night manager always looked closely.

Within minutes of speaking, they recognized each other.

Two people who paid attention.

Two people who understood what lived in the spaces between words.

She didn't trust him.

He trusted her to follow her patterns.

---

For someone coming from jail, a mental health facility could feel like freedom. There were rules, but they were softer. Doors weren’t locked the same way. People were easier.

That first night, the manager wrote his notes carefully.

Appropriate for placement. High risk for manipulation.

---

It didn’t take long.

By the second day, Marilyn went out for a walk and returned with a bag of beauty products and hair dye. No one knew where the money came from. No one had tracked how long she’d been gone.

“A few hours,” they said.

That was enough.

The manager sent the update to her probation officer. The reply came back simple, almost bored:

Sounds like her. Watch her.

---

Within days, she began to change.

The dull brown gave way to blonde. Her clothes improved. She carried herself differently. To most of the staff, she looked better.

To the manager, she looked active.

There was a difference.

---

She learned the building quickly.

Who had cigarettes.

Who had money.

Who needed attention badly enough to pay for it.

She moved through the residents like a quiet storm, taking small things at first - snacks, sodas, favors. Then larger ones. She played the men against each other. Smiled. Listened. Promised nothing, implied everything.

The staff didn’t see it at first.

They liked her.

That was the problem.

---

The complaints came from outside their unit first. Other staff. Nurses. People who had seen this before.

A meeting was called.

The disbelief in the room was almost naïve.

Not Marilyn.

Yes, Marilyn.

Documentation filled in what charm had concealed. Patterns emerged. Incidents lined up. The illusion collapsed under the weight of record-keeping.

---

Restrictions followed.

Freedom narrowed.

Marilyn smiled less after that.

---

The agitation came on slowly. Not explosive. Not dramatic. Just a tightening. A shift behind the eyes.

One afternoon, the manager arrived early and heard music coming from the day room.

Piano.

No one played it. It had always just been there - another piece of furniture no one used.

But this...

This was Tchaikovsky.

Not guessed. Not stumbled through. Played cleanly, from memory.

The room had gone quiet around her.

For a moment, everything else fell away - the file, the history, the careful watching.

There was only the music.

It wasn’t just music.

It was the sound of something that had survived longer than it should have.

---

Later, she stood in the doorway of his office.

He mentioned it. The playing.

Something shifted then - not much, but enough.

She told him about the lessons. Years of them. The dream of becoming a concert pianist. She spoke plainly, without performance.

Then she told him about the husband.

About the night the piano was smashed.

About leaving the next day.

Everything after that - she gestured, as if it were already written somewhere.

He offered possibilities. Music in her treatment. Something to build around.

She listened.

Then she shook her head.

No point.

---

It ended the way it always does.

Not with a crisis.

With a transaction.

The manager saw her through the fence, passing her medication to a man who looked like he had nowhere else to be. Cash came back the other way.

Clean. Efficient. Routine.

Inside, she didn’t argue.

She sat while the call was made. Listened as the consequences were explained.

Return to jail.

She rolled her eyes. Said “whatever.”

Then she waited.

---

Less than thirty minutes later, she stepped back into the office.

“I’m having suicidal ideations,” she said.

Calm. Even.

The words landed exactly where they needed to.

Everything shifted. Protocol took over. Liability replaced consequence.

The system turned.

And just like that, she was out of reach again.

---

Weeks later, the manager saw her in the courthouse.

A line of them, moving slowly.

Second in line.

A sweater draped over her wrists to hide the handcuffs.

Even now, she understood presentation.

---

He didn’t think about the file.

He didn’t think about the charges.

He thought about the piano.

The sound of what was left.


© 2026 Michael C. Metzger

Comments

Popular posts from this blog

Clearing up the Great Gretsch/Rockabilly Sham!

I've had a long-standing friendly argument with a couple of friends about guitars. This has gone on for 20+ years. We're all pickers, and we're all usually lumped under the rockabilly category too. They both love Gretsch guitars. I can take them or leave them. Rockabilly fans have asked me many times why I don't play a Gretsch, which is often associated with rockabilly music.   First, I point out that what I play ain't exactly rockabilly. Sure, there's a definite rockabilly influence...but there's also blues, jazz, surf, garage, punk, country, Tex-Mex, and even some Gypsy & African influences in my music. A Gretsch just ain't gonna cut it. Don't get me wrong, Gretsches have their place and their own, unique sound. But...for a picker who is coming from the afore-mentioned influences, a Gretsch just ain't gonna cut it.   The new Gretsches, mostly reissues, are well-made guitars. MUCH better made than the original ones, which tended to ...

Since they changed YOUR life, how about YOU changing someone else's?

The recent deaths of Lemmy and David Bowie have caused a mighty ripple through humankind. People that I never would've guessed to be "fans" have shown their true colors. An old lady I know, it turns out, is a huge Motorhead fan. Folks I work with, who seem much more at home listening to bland modern country, have vocalized their lifelong love of Bowie's music and movies. These two musicians changed a lot of lives for the better. Both died of cancer. As a two-time cancer survivor, as well as being a musician, their death hit home with me...and hit hard. I was lucky enough, both times, to not only survive but to also have decent health insurance at the time. My out of pocket costs were minimal. Many aren't so lucky. With Obamacare we're all forced to pony up for affordable health insurance...or be fined. For many, it's just not feasible. One of the groups hardest hit by the US health care nightmare is musicians. Professional musicians make their liv...

Colin Hardy: We'll Meet Again

 2026 has been off to a rough start. Not even a month in, and I’ve already lost a few friends. Now, before anyone reaches for the tiny violins and assumes I’m whinging - relax. I’m not. Yes, it always hurts to lose someone, but I’ve learned to use moments like these to lean into the good memories: the reasons we got along in the first place. This morning, I found out my old buddy Colin Hardy passed away over the weekend. Col hailed from Stoke-On-Trent (which I always jokingly called Stoke-On-Rye ). He was a working-class bloke through and through, but we shared a deep love of music — especially the old-school rockin’ variety. We first crossed paths on a music-sharing site and immediately began raiding each other’s collections. This was back in the dial-up days, when downloading a single MP3 could take half an hour if the phone didn’t ring. Eventually, we started emailing instead. Col sent me tracks by the likes of Crazy Cavan, Freddie Fingers Lee, and others. He was always hungry f...