Skip to main content

Notes On Stewartstown

There is, among the older settlements north and east of Pittsburgh, a class of stories which sensible men ordinarily dismiss as the natural offspring of isolation, excessive winter weather, and the habitual exaggeration of country people.

These tales persist nevertheless.

They cling to the valleys the way mist clings to the hillsides.

One hears them in fragments beside potbellied stoves, in the back corners of feed stores, in hunting camps after midnight, and occasionally from old women who lower their voices without altogether realizing they have done so.

Rev. Andrew Kaczmarek

The subjects vary.

Certain ridges are avoided.

Certain hollows are said to “carry sound wrong.”

There are roads where livestock refuse to pass after dark.

And in the deeper Pennsylvania country, where the fog settles low and stubborn among the hills, there remain whispers of a people once known as - though never openly discussed -   the Shim-O-Mites.

I first encountered mention of them during the winter of 1856 while traveling through the western counties in the company of a circuit preacher of a melancholic disposition and uncommon education, the Reverend Andrew Kaczmarek.

The Reverend was not, by temperament, a fanciful man.

Indeed, he possessed the particular severity often found in those who have spent too much of their lives among books of theology and too little among ordinary amusements. He neither drank to excess, nor gambled, nor displayed any enthusiasm whatsoever for the rustic entertainments that commonly enliven travel through the backcountry.

He was, however, a man susceptible to curiosity.

And curiosity, in certain corners of Pennsylvania, has undone better men.

The matter first arose one rainy evening near Stewartstown, at a roadside tavern frequented principally by teamsters, trappers, and those varieties of laborers whose boots permanently retain the clay of mountain roads.

The establishment itself leaned noticeably eastward, whether from age, poor construction, or theological objection to standing upright, I cannot say.

A coal fire smoldered in the stove.

Rain battered the shutters.

Several men sat in uneasy silence while an elderly fiddler sawed halfheartedly at an instrument that had plainly suffered both weather and whiskey.

It was there an old drover, having overheard Reverend Kaczmarek inquire about certain abandoned settlements in the northern valleys, abruptly ceased chewing, crossed himself in a manner not entirely consistent with his stated Presbyterian convictions, and remarked:

“Ain’t abandoned.”

The Reverend, naturally, requested clarification.

The old man spat into the sawdust.

“They’re still there,” he said. “Just farther back.”

No one at the table laughed.

This, more than the statement itself, appeared to affect the Reverend.

For country men may indulge ghost stories freely enough, but they nearly always do so with grins, nudges, and invitations for another round.

Here there was none of that.

Only silence.

At length another fellow - broad-shouldered, red-bearded, smelling strongly of wet wool and cider - muttered:

“Sound carries a might queer up there.”

The fiddler stopped playing.

Though no word had been spoken to him directly, he lowered his instrument and stared fixedly into the stove fire as if unwilling to look elsewhere.

The Reverend later confessed to me that this moment unsettled him more than any tale which followed.

For the atmosphere of the room changed subtly thereafter.

Conversation resumed, certainly.

Men drank.

Pipes were lit.

Yet beneath the ordinary noises of the tavern there lingered a peculiar restraint, as though everyone present had collectively approached the edge of some subject best left untouched.

The Reverend, possessing precisely the kind of mind least capable of leaving such matters alone, began making inquiries the following morning.

Within a fortnight he had acquired three contradictory stories, two drunken warnings, a fragment of Dutch folk tradition, and the name Shim-O-Mites.

He recorded the word phonetically at first.

Later, in one of several letters prepared for a Dr. Elias Whitcomb - none of which appear ever to have been mailed - he observed the possible resemblance to the ancient tribal name Simeon.

Whether this similarity represented genuine lineage, coincidence, or merely the tendency of educated men to discover patterns where none exist, I shall not pretend to determine.

The Reverend himself, however, became increasingly persuaded that the matter concealed something older than local superstition.

And from that persuasion proceeded all the unfortunate events which followed.

Business concerns involving Charles Spang and a Mr. Herron occasioned my return to Pittsburgh, Allegheny City, and Stewartstown in the summer of 1858. Having previously enjoyed my time in Stewartstown, I returned hoping to enjoy more conversation with Rev. Kaczmarek. 

I was informed by a number of locals that he had mysteriously vanished the previous year, leaving behind his few meager possessions, books, notes, and some unsent correspondence. The local Hotelier, a Mr. Nauman, had held on to the possessions, storing them in the cellar, in case anyone ever came to claim them. I offered to relieve him of this burden, and placed them in storage at Mr. Spang's mill on Bridge Street until further notice. 




copyright notice © 2026 Michael C. Metzger

Comments

Popular posts from this blog

An Old Photo

The photo was old and scratched up. It looked like it had been handled and mishandled for years, and it probably had. Passed from hand to hand, tucked into scrapbooks, displayed in frames, stuffed into drawers, and rescued again. It had been looked at thousands of times. It was still his favorite. It wasn't historically important. Just a photograph of friends sitting in someone's back garden, sharing a few laughs and a few cold beers. The image was every bit as grainy as the memories attached to it. The colors had faded with age, drifting toward reds and yellows. Time had left its fingerprints everywhere. He was the only one left in the photograph. When his time came, would anyone remember those old glory days? Those years when importance itself seemed unimportant. When photographs weren't taken to prove anything, advertise anything, or preserve a carefully crafted image. They were taken simply because someone thought a moment was worth keeping. There was no guarantee the p...

A Very Teddy Tuesday

 I told myself I wouldn't do this. I didn't want to share any part of the new book yet. But - I'm enjoying it too much, and that feels selfish. Lord knows I don't write for any reason other than to share stories, so I edited a few bits down to this little excerpt. You might like it. Might not. Might think WTF?! Might ignore it all together. No matter what you think, or if you even read it at all, I'm enjoying writing it. Those who know me won't be surprised. Yet. - MCM 6/20/26 Mid-afternoon sun spilled through a dirty window, cutting across the living room in long golden beams. Dust drifted lazily through the light. Teddy the cockroach made his way up a dusty work boot. The boot had been there longer than anyone could remember. So had the body beside it. The humans who once occupied the old house were long gone. Their furniture remained. Their toys remained. Their guns remained. Even some of the humans themselves remained, though mostly as bones and geography. T...

New Book! (and what comes next)

 My 1st print book now exists. What a strange way to put it. I've always enjoyed writing, even when I was a kid and it wasn't cool . Honestly, I never thought I'd do anything with it. It was just another outlet for all of the ideas banging around in my head. For decades, a lot of these thoughts became songs. Now I've returned to the simplicity of words. I write because I enjoy telling stories - pretty much the same with songwriting. The only difference is that now I don't have to go on a stage or into a recording studio. There I days I miss both, but who knows...maybe one day I'll do it all again. Writers write for different reasons. Some for acclaim or notoriety. Some for profit. Same as with music, painting, sculpting, acting - I think those goals are a matter of seeking validation. But for what? Doing what you enjoy is validation enough. For years I've written this blog. In some ways, it's the perfect medium for me. I do it, it's done, published, ...