I won't lie. I sorta kinda need this post for my LinkTree thing. 😂 But since you're here, I'll guess you have some curiosity about my books. Here ya go! Just click on the cover and it should take you to the Barnes & Noble site (if you're so inclined). Thanks! - MM This is pretty much where it started. A collection of short stories. I've been pleasantly surprised at how well-received it's been. There are moments when something changes. Not dramatically. Not all at once. Just enough to notice. A conversation that feels slightly off. A familiar place that no longer feels quite the same. A small event that lingers longer than it should. In BODIES, Michael C. Metzger explores those quiet turning points where ordinary lives brush against the strange, the unsettling, and the unexpected. These eighteen stories are rooted in familiar ground: small towns, aging neighborhoods, workplaces, relationships, late-night conversations, and everyday routines. Beneath the sur...
If you know me, you know I'm a musician. Damned near 50 years treading the boards making noise. Just like any other commercial venture, there are certain sales and marketing strategies involved with being a musician. One of the most basic and necessary being the demo tape. Back in my youth, the demo tape was usually a cassette; often recorded live. It gave the prospective purchaser (usually some guy at a bar who really didn't give a shit) an idea of how an act sounded, and what they could expect should they choose to hire ya. Over the years, the demo tape itself became more polished. Some used it as a tool to garner interest from managers, publicists, producers and record execs. The issue I always had with these was that they were inherently dishonest. Rather than displaying how an artist actually sounded, it instead put forth an idea of what they could sound like - given perfect circumstances. Such conditions rarely exist. By the late 80s, some of us used a VHS tape o...